Musical Practice & Performance
1st Annual Pride Month Day of Singing, First Parish in Malden, Universalist with First Parish Needham UU (2023)
Composition world premiere: “Cliff-Divers” programmed by Lilith Vocal Ensemble (2023)
Bass section leader, Mount Auburn Requiem by Rachel Burkhardt (Live performance premiere, 2022) & additional appearances with Wood Harbor Music (2023)
Malcolm, For the Love of Scones (or, Macbeth Part II) (2022)
King Arthur (Cover), Camelot (2022)
Bob (Cover), The Old Maid and the Thief (2022)
Asher, Wanting: Three Mini-Operas by Quinn Gutman (World premiere, 2021)
Worship design & leadership for multiple fully music-centered services @ First Parish in Malden, Universalist, including “This Song is Not a Performance” and “Singing with Soren” (2023)
Guest songleader: Orange Coast UU Church, Association for UU Music Ministries
Composition West Coast premiere: “Sapphic Fragments: Meditations on Queer Histories and Imaginaries” programmed by International Orange Chorale of San Francisco (2021)
Workshops & Education
“Exploring Best Practices for Transgender Voice Change via the Transient Theory of Voice Production,” New England NATS Regional Conference (2023)
“Improvising Harmony 101” with Dr. LeLaina Romero & Callie Jennings, Association for Unitarian Universalist Music Ministries (AUUMM) Conference (2023)
Winner, Best Poster Award: “Acoustic Registration for Transgender Singers on Testosterone,” National Association of Teachers of Singing (NATS) National Conference (2020)
“Your Voice is as Unique as You Are: Understanding the Transient Theory of Voice Production Through Trans Voice” The Voice Lab, Inc. Internal Conference (2023)
“Acoustic Registration for Transgender Singers,” Acoustic Vocal Pedagogy Online Workshop, New England Conservatory (2020, 2021)
“Voice For All Genders and No Genders,” Make Shift Boston/School of Arts and Social Justice (2021)
“Myths and Facts of Voice on Testosterone” The Voice Lab, Inc. with Cascade NATS (2021)